Truly collaborative efforts must be forward-looking, cross-region, and cross-sector. They must foster, facilitate, and act as a catalyst for developing a culture and capacity for resilient, deliberate innovation. And they must be about designing futures in which all of us can see ourselves. (It’s understandably hard to be excited about a future you don’t see as available to you.) These futures should not merely be open to--rather, I’d argue we’d all benefit when they are significantly driven by--initiatives from voices and communities too often left out of that discussion--innovative efforts/voices from rural communities, communities of color, refugee populations, LGBTQ perspectives, and other groups who have too often not been given equal opportunity to dream what the future might be.
Read MoreWhile many of the biggest names in horse racing history have trained and competed on the land that nearly 100 years ago housed the Kentucky Association racetrack, the space is a reminder of the legacy and eventual erasure of the Black horsemen who created horse racing as we know it today.
Read MoreCassie Chambers Armstrong's story is indeed a remarkable one; but her decision after graduation from Harvard makes her story a unique one. She chose to come back to Kentucky.
Read MoreEven with his art school and publishing experience, Tony Moore was still fairly green when The Walking Dead started to form. To find inspiration for the characters and scenery, Moore turned to the source he knew best: Cynthiana.
Read MoreBetween the popularity of The Walking Dead television adaptation of a comic series started by two Kentuckians and the year-over-year explosive growth of the Louisville Zombie Walk, Kentucky has become an unexpected hotbed for all things undead.
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